Flesh, Trash and Heat are wonderful. I can only imagine just how groundbreaking they must have been when first released.

~ Keith Dudhnath -

Diffring is strong in the lead, showing a side to his talents that he would rarely have the chance to use again.

~ Jennie Kermode -

Diffring is strong in the lead, showing a side to his talents that he would rarely have the chance to use again.

~ Jennie Kermode -

The trouble is that Lacote is in favour of telling rather than showing.

~ Marko Stojiljkovic -

The trouble is that Lacote is in favour of telling rather than showing.

~ Marko Stojiljkovic -

The historic and historical value of this film is immeasurable; it's also a superior thriller which stands up well even when shorn of context.

~ Jennie Kermode -

The historic and historical value of this film is immeasurable; it's also a superior thriller which stands up well even when shorn of context.

~ Jennie Kermode -

The two time periods are balanced with care although the earlier one with its opulence and lush cinematography from Walter Lassally remains the most beguiling.

~ Amber Wilkinson -

The two time periods are balanced with care although the earlier one with its opulence and lush cinematography from Walter Lassally remains the most beguiling.

~ Amber Wilkinson -

The energies - and frustrations - of a day at the beach are as vibrant as a flamingo lilo in this animated short.

~ Amber Wilkinson -

The energies - and frustrations - of a day at the beach are as vibrant as a flamingo lilo in this animated short.

~ Amber Wilkinson -

Sharply acted all round, evocatively lit in bright Eighties colour, and perfectly paced, Heathers is a technical tour-de-force.

~ Jennie Kermode -

Sharply acted all round, evocatively lit in bright Eighties colour, and perfectly paced, Heathers is a technical tour-de-force.

~ Jennie Kermode -

Mann’s film is a stone-cold masterpiece.

~ Stephen Carty -

Mann’s film is a stone-cold masterpiece.

~ Stephen Carty -

Lukas Feigelfeld's imagery is lush and evocative, sometimes verging on the psychedelic.

~ Jennie Kermode -

Lukas Feigelfeld's imagery is lush and evocative, sometimes verging on the psychedelic.

~ Jennie Kermode -

First names are, of course, never used because they're out-menning the men in every department, including misogynist asides and police brutality - by the end of the runtime you wonder why they bothered casting women at all.

~ Amber Wilkinson -

First names are, of course, never used because they're out-menning the men in every department, including misogynist asides and police brutality - by the end of the runtime you wonder why they bothered casting women at all.

~ Amber Wilkinson -

Cheat has the consistency of a poem, an idea with broad societal reach compressed into as small a space as possible.

~ Jennie Kermode -

Cheat has the consistency of a poem, an idea with broad societal reach compressed into as small a space as possible.

~ Jennie Kermode -

There’s some beautiful framing in this film, which looks as if it was made on a much bigger budget than was really the case.

~ Jennie Kermode -

There’s some beautiful framing in this film, which looks as if it was made on a much bigger budget than was really the case.

~ Jennie Kermode -

A smart, trippy treat.

~ Anton Bitel -

A smart, trippy treat.

~ Anton Bitel -

Cinematographer Shabier Kirchner miraculously positions us in the middle of the chaotic and dangerous atmosphere during the protest and is equally good at capturing intimate moments of anguish.

~ Anne-Katrin Titze -

Cinematographer Shabier Kirchner miraculously positions us in the middle of the chaotic and dangerous atmosphere during the protest and is equally good at capturing intimate moments of anguish.

~ Anne-Katrin Titze -